The
work begins as an idea formation -
as the active mind is formful in itself, prior to any
external application. From [non-visual] thought about
this shape, a poetic profile emerges, first through the figure
and then the body at large, in a ritual/celebratory
mode and modification; and finally through eros
as one aesthetic core device. The composition tries to
essentialize this approach, by a simplification
of means, primarily through use of lines equal
or above shade and color; the composition corresponds
most clearly to ideation and though without immediate
delivery of meaning, endeavors to be convincing on its own. If the
space of mind speaks fundamentally
as pre-existing form, my work tries to approximate this
state, by evoking its figuration back to a modified origin in the
viewer's mind.
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